'Need You Now' is a universal subject matter. It's something that not just country fans, not just pop fans - everybody's been there. And the production was a little left of center.
I like jazz, and Martin Taylor and his band have it all, including a wonderful saxophonist and very fine accordionist, so you get a rather unusual range of sound.
I think the music I've created is quite odd, and people are going to start talking about that.
The sound of the harpsichord resembles that of a bird-cage played with toasting-forks.
That's me: an old kazoo with some sparklers.
I got into dub a long time ago. I was into dub before I even had any interest in reggae or Jamaican songs, Bob Marley, or any of those established artists. I just thought it was such an unusual sound.
The reason I could last for that long a period of being up was because the piece accidentally caught the excitement and adrenaline from, "Ooh this sounds different from usual... Ooh I like that..." That was the energy that kept me up.
The flute is a weird instrument, especially when played solo.
Yes, I have this crazy honk of a laugh.
My voice has a lot of character and kind of doesn't sound like a lot of people's.
Mr. Jesmond made a peculiar noise rather like a hen who has decided to lay an egg and then thought better of it.
