This music isn't Top 40, we really stand out from anyone.
I love truly forward-thinking music, and I'm not even sure I'd describe my work as that, even.
We're playing all these weird festivals, usually outdoors.
I know it sounds weird, but the kind of music I write isn't the kind of music that I listen to, which is quite underground, left-of-centre stuff like PJ Harvey and Tom Waits.
You know, the BBC had not been particularly generous in its deliverance of blues and esoteric kinds of music.
If it's genuinely new, when people are hearing it, they're not really gonna be comfortable because they haven't heard it a thousand times before.
I like a lot of weird songs.
I have always had an audience for my music, even in the very avant garde, crazy times.
I don't think I'm unique or that I'm trying to do something unique, but I feel it is something I would like to hear. This kind of music I would like to listen to but I can't hear very often.
We love playing music but we're too weird to play music.
I want to make theme-setting music, music that sets a theme without being cliche.
It was only through getting interested in more out-there and avant-garde forms that the musical suddenly seemed like such a wonderful genre to me.
I feel that my ear candy is a little different from the ear candy most people are receiving right now.
Bjork has this kind of abstraction and formalism that you associate with art music or avant-garde music.
