Unplanned Creation Quotes

There's a lot of sub-conscious stuff you may write but you don't then suddenly sit down and take out your analytical books and say: I'm determined to find out where this came from. You'd probably be wrong anyway.

I've just been writing stuff down as it comes to me. I haven't thought, 'Let me write some major opus here.'

What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up.

While painting I noticed a piece of madras cloth on the floor. As usual, my mind started working overtime and a pair of scissors and a small amount of glue later...I created THE COMEDIAN. Everybody loved the uniqueness of the painting. It was indeed a hit.

I did not plan to make the Cube.

I've always thought of myself as an organic writer, rather than a cerebral one. I feel my way along as I go, hoping I'll get to the place I intend to reach.

To know what you’re going to draw, you have to begin drawing... When I find myself facing a blank page, that’s always going through my head. What I capture in spite of myself interests me more than my own ideas.

I sometimes begin a drawing with no preconceived problem to solve, with only the desire to use pencil on paper... but as my eye takes in what is so produced, a point arrives where some idea crystallizes, and then a control and ordering begins to take place.

I really admire songwriters or any kind of writer, painter or artist that says, "I'm going to get up at 8 o'clock in the morning and spend this time to this time creating." I do that sometimes, but the songs I like the best come as gifts from somewhere. It's almost like you didn't do anything, like you can't take credit for it because you sat down and the melody and words came out.

People always want an explanation about everything and I cannot give it to them. Because I don't know myself. 'Why did you do a pair of pants like that?' I have no idea. I'm not going to have a 20-minute political discussion about the necessity for slashed, painted leather jeans. Basically, I don't know more than you.

I'm not beholden to the public, and neither are the public beholden to me or my songs. I'm very much of a populist on those terms, I believe that the song is no longer mine anyway. I like to process the dispossession that happens when you play something live. I don't have a clue as to how these songs are going to plan out, whether they're going to be on a record. I don't know yet.

But I don't know. Pee-wee just kind of popped out one day, pretty much fully fleshed-out and fully formed.

It sounds corny, but it's absolutely true: A song chooses me. I don't go looking for a certain kind of lyric. It kind of develops its own little arc and I'll just see what happens.

I always have a good reason for taking something out but I never have one for putting something in. And I don't want to, because that means that the picture is being painted predigested.

You know what's weird, I just write to write, with no intention, I just write.

The painting develops before my eyes, unfolding its surprises as it progresses. It is this which gives me the sense of complete liberty, and for this reason I am incapable of forming a plan or making a sketch beforehand.

It just sort of happened. I wrote like what I'd always read and what was in the movies... I'm sure popular music is supposed to be like this.

One hears but one does not seek; one takes -- one does not ask who gives; a thought flashes up like lightning, it comes of necessity and unfalteringly formed.

I'm not one of these people who sits down and writes to say I'm gonna write a song about this or that, or a specific subject. The songs actually kind of write themselves.

Never, never do I set to work on a canvas in the state it comes in from the shop. I provoke accidents - a form, a splotch of color. Any accident is good enough. I let the matiere decide. Then I prepare a ground by, for example, wiping my brushes on the canvas. Letting fall some drops of turpentine on it would do just as well. If I want to make a drawing I crumple the sheet of paper or I wet it; the flowing water traces a line and this line may suggest what is to come next.

I never 'plan' a stanza. Words cluster like chromosomes, determining the procedure.

I don't think I did write any poems to fill narrative gaps. Not consciously, anyway. As much as possible, I try to discover my poems' subject matter through the act of writing, instead of deciding ahead of time what my poems will be about.

My songs emerge from my life, or wherever they do, unbidden and unplanned and completely on a schedule of their own.

How often might a man, after he had jumbled a set of letters in a bag, fling them out upon the ground before they would fall into an exact poem, yea, or so much as make a good discourse in prose? And may not a little book be as easily made by chance as this great volume of the world?

Most of my songs are pretty sketchy. There's not a lot of bass sections. I don't write big bridges. Sometimes I'll try. But it's hard for me to focus that way, because I always think it's more interesting to just see what will happen next.