All I look for is good quality stuff. Whatever I read, if I like it, then I want to do it. It's as simple as that. I don't have a master plan of, "I should do this genre, and then this."
There's no rhyme or reason to anything that I do. It's whatever seems right at the time.
No matter what you say you might do, you never really know until you're in the moment. Every situation is so different.
My choices in films are spontaneous.
Life's so much based on instincts and quick decisions, and people don't know what they're looking for.
But in some ways, the most significant choices one makes in life are done for reasons that are not all that dramatic, not earth-shaking at all; often enough, the choices we make are, for better or for worse, made by default.
I was suppose to write a book about being a mom, to organize my thoughts into chapters and figure out a structure to hang them on, to make a lasting point, but somehow I decided to go ahead and become a mother instead.
All my tattoos have been spur-of-the-moment ones and not planned.
I am very selfish when it comes to choosing a film. There is no strategy as such; I take up anything that gives me a kick.
It's not that you can do this calculated move to try to further your career. You just follow what's in your heart, and later you look back and go, 'I was either really dumb or really smart, I can't believe I did that.'
It often seems, looking back, that the unexpected comes to define us, the paths we didn't see coming and may have wandered down by mistake. The older we get the more willing we are to follow those, to surprise ourselves.
I wanted to be a jazz pianist, but I wasn't good enough. I got into city college because I didn't have the grades to get into university. I took acting because it was a way to get three credits. I just needed three credits and my friend told me to take acting because it was like gym - nobody fails you. I took it and that's literally how I got involved in acting.
