Readers seem to really like the fact that what I'm writing is not traditional fantasy.
It's kind of comfortable portraying characters who are kind of unsavoury and not so nice. That can be refreshing sometimes.
I did not think much what I was writing them for, except that I knew I wanted my next novel to be in some less conventional form than straight narrative.
I am loath to suggest 'Visitor Q' to anyone, because you've got to have a warped brain to even understand or appreciate it a little bit. Fortunately, or unfortunately, I have been blessed with a warped brain, and I really dug it.
Let's use that to make as interesting and different and unique a story as possible and not just stay with the same thing.' And this movie is certainly the embodiment of that.
If you make a film normally it's all right, the distributors are helpful and cooperative. But if you make a film that's a little stange, a little bizarre, then all the time it's a struggle with them.
My literature is much more the result of a paradox than that of an implacable logic, typical of police novels. The paradox is the tension that exists in my soul.
I love deliberately badly written books.
