Unique Writing Style Quotes

A good writer does not write as people write, but as he writes.

Charyn, like Nabokov, is that most fiendish sort of writer-so seductive as to beg imitation, so singular as to make imitation impossible.

My style of writing is very diffrent from yours.

I can't write a book commensurate with Shakespeare, but I can write a book by me.

Here's my unsolicited advice to any aspiring screenwriters who might be reading this: Don’t ever agonize about the hordes of other writers who are ostensibly your competition. No one else is capable of doing what you do.

Alice Munro is not only revered, she is cherished, her stories handled lovingly, turned over and over, gazed at and studied and breathed in with something approaching awe. She has never, over the years, written the way any of her contemporaries have.

The thing about 'Gilmore Girls' is that it's such a specific voice, and I lived with it for so long before it got on the air It's a very specific rhythm and a very specific banter.

Only Agatha Christie can write like Agatha Christie.

David Wong is like a mash-up of Douglas Adams and Stephen King . . . ‘page-turner’ is an understatement.

No one has written the way Isaiah does. The royal style, the majesty of the language. He is called the prince of the prophets. No one has written like that. I've studied ancient literature, Homer, for example, but it's not the same thing.

I don't think there are any secrets to writing in the - everybody has their own techniques. You must be widely read, that's one thing, because you have to resolve a tremendous amount of background information. Also, you should know what the competition is writing, just so you're not wasting your time doing the same thing. Unless you do it better, of course.

I like writing characters that seem different from one another. So if you were to hypothetically look at a bunch of lines from books I've written, just out of context, hopefully you would be able to determine who said what. That's the goal, anyway. I try to strongly differentiate through dialogue.

I've found through experience that I'm only good when I'm writing something that, in essence, only I could write. The times I've written for hire, for other people, I don't think I've done very well.

I need it all: in-depth characterization, fantastic/warped world building, a plot that could out-race Secretariat, and a 'voice.' I need to hear a uniqueness in the author's voice.

When I saw 'Fleabag,' and when this script came to me, there is a uniqueness and a dark naughtiness to Phoebe Waller-Bridge's sensibility that I did gravitate towards, very much.

I don't write the same book twice.

Aaron Sorkin uses a lot of the same people again and again - the people he likes. I think if there's ever a part for me, he would consider me for it. I hope so. Sometimes familiarity breeds contempt, other times it helps you. It's just amazing to work with his scripts. There's never any fat in them. It's all perfect, and there's such a rhythm to it. The musicality of his writing - it's so specific and unique to him, and such a joy to play as an actor, because there's no sentimentality.

I think each writer has to seek her most energetic prose style. She has to find a way to write so that nobody can deny it.

To a great extent, I still write for myself, write what amuses me. Fortunately, I have a quirky sort of strange sense of humor that appeals to other people and that's good. I still sort of write for myself though there are some areas of the book I feel I have to put in and I feel I have to deliver.

I love deliberately badly written books.

Everybody's idea of a great book is different, of course. For me it's one that makes my jaw drop on every page, the writing is so original.