Underrepresented Communities Quotes

I have spent my life fighting for the underrepresented and I am working tirelessly to be New Mexico's champion in Congress.

It's funny, everywhere I go some people ask me whether it's going to be a Latino breakthrough, some people ask me whether it's going to be a female breakthrough, and then I'm reminded that five years ago we didn't even know Barack Obama's name.

I don't feel drawn to lightness, I need something more. I feel that - oh, I hate saying this, it sounds so wanky - but I feel a real urge to give voices to people we don't usually hear from in real life.

There should be no surprise that forgotten America, no matter their ethnicity, because we see that Mr. Trump was able to get Hispanic voters, African American voters. Oh my God, the majority of, of, of the women voters that he was able to amass, even though he was painted as the other, my party, the Democratic party, did not listen to the voices of the forgotten America.

In reality, there are tons of unrepresented voices that we don't see in comedy.

For me, being with Obama or having dinner with Bill Clinton... it's crazy. It's mind-blowing, because where I come from is just another world. We were just ignored by politicians - by America in general.

There's very few shows that truly reflect specific ethnic experiences, and when they come and come right, they're a hit.

As an organizer in the most underrepresented communities in my state, I have felt the frustration that so many voters must feel when other states limit polling locations, require photo IDs, and put unnecessary barriers in front of voters.

Those of us who have the eyes and ears of the media have a responsibility to amplify the voices of the voiceless.

I mean people are sexist and racist and homophobic and violent. But I don't think of the rappers as being any more sexist or racist or homophobic than their parents. Certainly less, in all those cases, less homophobic or racist or sexist, and then less gangster than our government. It's stuff that people normally don't speak on, subjects they don't speak on, and ideas they kind of keep to themselves.

There are a lot of communities within the Asian Pacific Islander umbrella that are predominantly more working-class or lower class, and those stories haven't been told yet, so my hope is that we see the gamut of perspectives.

Fundamentally, one of the things I tend to migrate toward when I'm working is a story about people whose stories aren't told in theater.

So many people complain that there aren't enough Latinos on television, and yet when they are, they need support.

I want to do things that haven’t been done, including fixing and making our inner cities better for the African-American citizens that are so great, and for the Latinos, Hispanics, and I look forward to doing it. It’s called make America great again.

Irish writing is so strong that it can feel like the country has all been covered, but in fact, there are so many gaps. The small west of Ireland cities and the working classes there have almost never appeared in Irish literature, simply because those communities were never in the way of producing books.

Because having your story told as a woman, as a person of color, as a lesbian, as a trans person, or as any member of any disenfranchised community, is sadly often still a radical idea. There is so much power in storytelling, and there is enormous power in inclusive storytelling, in inclusive representations.

Growing up, I was very aware that there weren't many people like me on the screen.

As a youngster and being a Latina, you see so much injustice.

The developing world voice can be amplified enormously by support from the wealthy and the privileged, otherwise it's very likely to be marginalized.

In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, "Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . ."

So for me to actually have access to women, to feminist women, to gay people, to trans people, to intellectuals, iconoclasts, weirdos, academics, just the people who don't normally get marketed to, in some way I kinda hoped that if I could collect all of them, I could say, "Hey! Look over here! There are enough people who like my stuff." And it sorta has seemed to be true.

Latino actors and actresses have had to struggle for decades, but when I came around with Real Women Have Curves, attitudes were starting to change. We screened the film all over the world - in Jewish communities, black communities, Greek communities, German communities - and people across the board said, "That's my family."