'Dil Chahta Hai' was too raw. We only thought about the film. We never thought where the film was going to go. We wanted to make a film on our own terms.
There were no previews; we made the film we wanted to make.
On 'Black Ben Carson,' I had strict no melody thing. I wanted straight, raw, rugged noise music.
I don't want to be labeled as a certain style producer; I just want to be producer and musician in general.
On an independent film where you're working with just a handful of people, you don't have to explain anything because no one cares. You can do whatever you want. There's no one there to tell you not to do it.
'Ashes Of Love' has much more hot-blooded vocal than what PC Music is known for, and a much harder production than what I usually do, so I was fully prepared for people to hate it.
I started to itch to do a play again and 'Macbeth' came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.
Reality TV is a totally different animal than the infomercial world.
We're a unique band, so why have a generic producer lumping you in a box with other bands that sound the same?
I sometimes listen to music I made and find it to be something I wouldn't want to buy from a store, if there was a store. When it's like that, you have to make what you want to hear.
