Frank liked me because I went nuts on the piano using feet, head, whatever I could find to bang on the piano.
For Ryan's Daughter I used a total of eight harps, something that was, at least, weird.
On 'Black Ben Carson,' I had strict no melody thing. I wanted straight, raw, rugged noise music.
The 'Aldous Harding' record isn't easily placed because it wasn't trying to sound like anything. It was quite organic.
Sometimes my songs wander off a bit and are not always coherent.
Jazz does what it wants to, and so does The Wu.
It is true that if you hear our music described, it sounds unappealing. I used to laugh and agree with people when they said it didn't make any sense.
There are songs out there in the world which, in some ways, seem so unmusical.
I sometimes listen to music I made and find it to be something I wouldn't want to buy from a store, if there was a store. When it's like that, you have to make what you want to hear.
