Frank liked me because I went nuts on the piano using feet, head, whatever I could find to bang on the piano.
On 'Black Ben Carson,' I had strict no melody thing. I wanted straight, raw, rugged noise music.
For Ryan's Daughter I used a total of eight harps, something that was, at least, weird.
The 'Aldous Harding' record isn't easily placed because it wasn't trying to sound like anything. It was quite organic.
Sometimes my songs wander off a bit and are not always coherent.
Jazz does what it wants to, and so does The Wu.
It is true that if you hear our music described, it sounds unappealing. I used to laugh and agree with people when they said it didn't make any sense.
There are songs out there in the world which, in some ways, seem so unmusical.
I sometimes listen to music I made and find it to be something I wouldn't want to buy from a store, if there was a store. When it's like that, you have to make what you want to hear.
