When you're shooting a TV show, sometimes it's more about, like, the blocking: it's usually - it's really fast. 'Walk here, walk here, walk and talk here.'
It feels fantastic to be a part of 'Fear Files.' I am having a great time shooting for the show as it is not just another horror or crime show.
Nothing can really prepare you for live TV because you never know what's going to happen. I think, for me, what really helps is I know what I'm looking for when I'm shooting things, so it definitely helps to have that eye and know what camera you're looking at.
While shooting 'The Unit', I went to the Middle East twice to see the troops. I met some great men and women.
Unfortunately, the public might not know that we get a script usually two days before shooting. So sometimes I'm shooting an episode and don't even know how it's going to end because I haven't read that yet.
I certainly treasure the memory and indeed the picture, which still hangs in my house in Scotland, of Ronnie Barker and I with the Choir when we came to Wales to shoot our Welsh choir section of the "Two Ronnies" programme. You are very close to my heart.
I was delighted to have lines when they came - learning lines for film isn't a problem, but television is a little different, because we shot those shows the whole way through.
'Smallville' was one of those things where we worked a lot of nights, and there were a lot of physical scenes. I was hurt a lot, but I loved it! The 'Revenge' cast was also one of the greatest, most gracious casts I've ever been a part of.
Memorising my lines is actually something I do fairly well. I look at it a few times and it is pretty much there. When your shooting on TV, they do it in such a way that it is pretty easy.
