Trip Hop Quotes

I listened to Kanye West and also dove deep into bands like Radiohead, Portishead, and Bon Iver.

I guess that is what I remember of 'Mezzanine': it was a proper struggle.

I've always been interested in electronica, techno, trip-hop, that kind of music. The thing that bothered me about a lot of that music, though, was it seemed devoid of emotion. There wasn't a lot that felt personal.

I was always heavily interested in underground musical movements, the post-dubstep scene; Mount Kimbie were coming out, and bands like that.

I grew up listening to a lot of Massive Attack and Portishead.

Four Tet, a.k.a. Kieran Hebden, is a U.K. electronica artist whose diverse tastes have helped fuel a lengthy discography.

My main inspirations come from early '90s Trance, the French electro movement round '06, then a bunch of artists like Flying Lotus, J Dilla, Moby, The Prodigy. So I'd say it's some kind of experimental electronica with a strong hip hop influence. It's chilled, but people can still get super crazy and dance to it.

I'm a big Gorillaz fan.

Massive Attack has always been more of an experiment than a band or even a collective.

Lolita' was written at a time when we were heavily listening to more dance, electronic, and trance, and then on the flip side we were writing country-pop songs like 'Born Bob Dylan' or our acoustic songs, or trip-hop.

I think the focus of the media changes. At the moment the more electronic stuff like trip-hop was the flavor of the month, just a little while ago. It all depends on the angle, from which point of view you see it.

My first big influences were more hip-hop based - people like DJ Shadow and Four Tet.

I went down to London with the idea that I was going to do vocals over this crazy, crazy trip-hop digital beat. Within two or three months, I heard Hunky Dory by David Bowie and that changed me in one way, and I realized what I actually wanted was to have an E Street Band - individuals, not session musicians.

I've never really been that much of a fan of Ninja Tune.

I'm a huge fan of The Chemical Brothers and the Ninja Tune label and a lot of the stuff that they put out like DJ Shadow but I think, out of all of them, Leftism really just excited my musical brain in terms of the way that they mixed real instruments with dance tracks.

Somerset desperately needs more high-end music making on its doorstep, so the chance to share great music spanning genres as diverse as orchestral classics, trip hop and jazz, in the utterly relaxed and cathartic environment of a Somerset field, is for me the fulfilment of a long-term dream.

You can find me at three in the morning in my living room with a glass of wine and really bad '90s trip hop beats blaring from my headphones.

I started buying ill, obscure records, and then I saw Portishead and Air live, and my mouth was on the ground.

I don't have a great story, but I love Boards of Canada. I didn't get into it when it was happening; I got into it later on.

I first heard Loyle Carner on SoundCloud in 2014.

I'm not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.

I'm a huge fan of Flying Lotus. I like The XX's stuff.

You will hear ambient in our music. You will hear trip-hop.

I love PJ Harvey, Patti Smith, Pixies, Portishead, and Massive Attack: a lot of what I would describe as alternative and indie music.

Don't get me wrong - I'm still way into the metal, but I've been listening to different things like Radiohead, Portishead, Bjork, and Queens of the Stone Age.