Five years is a very long time. If you think about it in terms of just people's lives, in terms of who our audience is: if you were in high school when you first saw our stuff, you're in college now.
In youth, we clothe ourselves with rainbows, with hope & love, & go as brave as the zodiack. In age we put out another sort of perspiration; gout, fever, rheumatism, caprice, doubt, fretting, and avarice.
Virginia Woolf's literature really transformed my own ideas about how to formally represent the passage of time and how time affects us. Specifically, the benchmarks are 'Mrs. Dalloway,' 'To the Lighthouse' and 'Orlando,' all of which have time as a central conceit.
There is nothing fatherly about time and what it does to us, either.
Time can play all sorts of tricks on you. In the blink of an eye, babies appear in carriages, coffins disappear into the ground, wars are won and lost, and children transform, like butterflies, into adults.
I don't look like Halle Berry. But chances are she's going to end up looking like me.
Age overtakes us all; Our temples first; then on o'er cheek and chin, Slowly and surely, creep the frosts of Time. Up and do somewhat, ere thy limbs are sere.
At nineteen, it seems to me, one has a right to be arrogant; time has usually not begun its stealthy and rotten subtractions. It takes away your hair and your jump-shot, according to a popular country song, but in truth it takes away a lot more than that.
Time doth transfix the flourish set on youth And delves the parallels in beauty's brow.
If you're making a movie about the effects of time, you kind of have to engage time as the main character.
Age can be wonderful for red wine, but not for spacecraft.
I dread no more the first white in my hair, Or even age itself, the easy shoe, The cane, the wrinkled hands, the special chair: Time, doing this to me, may alter too My anguish, into something I can bear