I've said before that the common perception that all good actors should be good liars is exactly the opposite; only bad actors lie when they act.
The word 'theatrical' makes me cringe, because it suggests a performance is staged, put on, rehearsed. And while all this is true for an opera, I believe the act of singing and performing should always be honest, raw, guttural.
If I'm playing a bad guy, and I'm playing him evilly - I'm making him evil; I'm being evil because I want the audience to understand that he's bad - or if I have a line that's funny, I do it in a comedic way, that, to me, is a lie. It's dead when I watch it.
Onstage, you just have to tell the absolute truth about the character you are playing. You hope you communicate it, and you hope it comes back like a tennis ball. If you're listening to the sound of your own voice, nobody else is. The audience knows, and they freeze on you.
I suddenly realized that comedy, for me, was just being honest, and playing it for real. I've seen so many wonderful actors who turn into creatures from another planet when they're told they are supposed to be playing comedy.
Just working on a character and his mannerisms, but not looking the part, is not my thing. It is your duty as an actor to be honest to the character.
I think maybe I was instrumental in taking the stereotype out of the Southern actor is some ways. I would hope my legacy would be as a serious actor who told the truth and did parts based on the quality of part and not necessarily the money.
If it's a 50-seat theater, I am neurotic about whether I'm doing an honest performance. Sometimes I walk away happy enough with it. You know, it can always be better, but sometimes I'll walk away distraught, feeling like I missed the pulse of the character that evening.
