A lot of the time I hate the theater. You think, 'I have to climb Mount Everest, again, tonight.' Oh, the theater is a scary place to be.
Of course it does on opening night, but I've never had that devastating stage fright that some people get, but apparently, you can develop it.
If you miss something in the theater, you are working through it; you'll get it tomorrow. It's easy to forgive yourself in the theater. On television, you do one shot. All you've done rehearsal-wise is be blocked. There is all this pressure to get it right then.
If you get into a Broadway show and it doesn't work, you're a failure. And if it does work, you may be stuck for who knows how long. It just doesn't sound great to me!
Opening a play is just tough. The idea that actors are weirdly protected from it is a myth. If you imagine yourself having to spend two and a bit hours cooking bolognaise, remembering a whole major work by David Hare and speaking it at the correct moment between chopping carrots and stirring the onions in front of an audience - the normal human response is 'Please, can I go to the airport?'
In theater and dance, I was trying to win someone's approval, trying to get in, trying to be good. It felt out of my control, whereas music suddenly felt like this free expression. It was fun.
There's a lot of pressure on a film set that's more immediate than the pressure in the theater where you're nervous about what's going to happen next week.
Even with the success of 'Once,' I can't think about making theater straight for Broadway. Too nerve-racking.
With a sitcom, everyday you do a run through, and people are judging you, and the scripts are being changed nightly, nightly, nightly.