Theater Family Quotes

Going back to Georgiana Drew and John Drew, and my great-grandfather Maurice Barrymore, and it was such a sort of circus of odd, interesting people that loved acting.

My mother was an extraordinary theater actor in Canada, and when I would finish school, I would go to the theater. I would do my homework, we would have dinner there, she would do her play, and then me and my sister would go home. So I grew up in it that way.

My understanding is that it's quite difficult for actors in the theater to know anybody but actors in the theater. It's the whole concept of the amniotic fluid surrounding one industry, holding people in place. I've never had a season ticket. I'm always a tourist.

The love, support, and respect the members of the theater community have for one another is unparalleled. Say what you want about us wacky drama-types, but one thing that makes our business special is our loyalty, our fierce commitment to one another, and our mutual respect.

When I first started acting in college, at Cal, the thing that I loved about acting was not being onstage but going into rehearsals. The thing, as I look back on it now, that I was most attracted to, was that I felt like I'd found my family. It was just a bunch of loonies.

The Broadway community means the world. That goes for the actors, that goes for the crew, the producers, the writers, and most importantly, that goes for the fans. The Broadway community is one that I will always hold very near and very dear to me.

I'm extraordinarily honored and proud when I am told that I am part of the Broadway community and part of the Broadway family. Because, Broadway is a family. And it doesn't matter if you did one show or if you did fifty shows.

I grew up in a theater family. My father was a regional theater classical repertory producer. He created Shakespeare festivals. He produced all of Shakespeare's plays, mostly in Shakespeare festivals in Ohio. One of them, the Great Lakes Theater Festival in Cleveland, is still going. So I grew up not wanting to be an actor, not wanting to go into the family business.

Having grown up in the theater family, having done a huge amount of acting from a very little boy to precocious teenager in Shakespeare festivals that my father produced, I went off to college and fell in with the theater gang. I was already an experienced actor. I became a kind of campus star. I heard all this applause and laughter.

When your father directed your mother in 'Orpheus Descending,' the kid's going to be a theater nerd.

My mother's whole family had been from the theater, really. Because I grew up in Hollywood, I wasn't that interested in Hollywood. But the New York theater was completely exotic and fabulous to me.

My mother was an actress and a director, as well. And my father was a playwright and poet.

I think of the Roundabout as my musical theater family here in New York City.

My first real acting gig was probably playing Mamillius in my mother's 'Winter's Tale.' My mom and dad are both in theater, so I grew up acting and being a little theater brat as well.

My father was a man of the theater. I grew up in a theater family. As a young man, as a boy, I gypsied around with my siblings and my parents to, like, eight different towns, went to eight different schools. All those things were extremely formative, and I think that's what happens.

I've always had not just an affection but a real love for the theater family in New York, and I really feel it is a family. I'm so touched by the generosity of everyone there.

I am in the theatrical profession myself, my wife is in the theatrical profession, my children are in the theatrical profession.I had a dog that lived and died in it from a puppy; and my chaise-pony goes on, in Timour the Tartar.