Every art I do is a collage.
Texture is something we forget - it makes outfits look very expensive. You can do a monochromatic outfit, if you're afraid of things that are more colorful and printed, and still create interest.
I love taking elements and colours from nature and then distorting them somehow.
I build a painting by putting little marks together-some look like hot dogs, some like doughnuts.
I naturally like that dreamy, shoegazey sound on my vocals. A lot of reverb helps, and so do a lot of delay effects on everything.
Seabear's love of soft folk sounds is unquestionable, but that doesn't stop the Icelandic band from infusing its music with layers of instrumentation.
I've collected John Ward pieces for years. Ward represents ideas of nature and of sediments.
Threads of Rosenquist and Warhol are all through my work. But I'm messier - and wetter. It's the female perspective. I'm not as tidy, and they were both very tidy.
What I've been trying to do with my art, which has been feeling very graphically sharp - to soften it up and make it feel more hand-done.
