Television Pilot Quotes

The first thing I did for TV was a pilot for CBS.

I did a pilot for HBO, called One Percent, that they didn't end up picking up, but it was a pretty intense and dramatic piece.

My first book, about Ruby Ridge, was made into a miniseries on CBS in 1996, and since then, I've dabbled in Hollywood, pitched a few things, sold a couple of screenplays and a pilot that I wrote with a buddy from Spokane, flirted with seeing 'Citizen Vince' as a film, and most recently, adapted 'The Financial Lives of the Poets' as a script.

I'd really been wanting to do a television series. I was looking for a comedy.

I did a pilot for Fox years ago called 'Faceless,' with Sean Bean. I always thought it was such a cool show because it was really raw. I thought we were pushing it. This was back at a time before there was the 'cable standard.'

I wrote a script - a script about a guy working on the automobile assembly line; I never could get money for that. I did a pilot about minimum wage workers for HBO that didn't get picked up; they thought it was depressing, even though it was a comedy.

When I read the 'Ugly Betty' pilot, I thought, 'Oh, this part's funny.' I said to my husband, 'I'm going to get it!' But based on what? All my exquisite comedic work in a Nike commercial?

Before we shot the pilot, I knew what 'Dallas' was, but I actually was too young to remember the details of the show. I didn't have my hands on the DVDs, so I YouTubed everything I could of J.R.

We hoped to get a TV show, and we almost did, but 'The State' beat us out for this MTV show. So because they were there, and 'SNL' and 'Kids in the Hall' were there, we thought, 'Let's go try to do what Python did, and instead, let's make movies.'

Like, to do a pilot, you don't know what's going to happen with it.

I was 16 when I auditioned for the series '8 Simple Rules.' They cast the kids first.

I remember Gale Gordon was in the pilot [of Hi Honey, I'm Home], and it was one of my very first professional gigs without having an adult take me to the job.

When 'Hung' got canceled, I was available for pilot season, and 'Arrow' was the first thing I auditioned for. It wasn't the first script that came to me, but it was my first audition.

After my 1985 appearance on 'The Tonight Show Starring Johnny Carson,' I was wooed by producers in Hollywood, who told me they wanted to turn my act into a sitcom.

In television, the writer-creator-showrunner is embraced as the creative mind.

I did a pilot for Nickelodeon that didn't end up going to series.

When I came out to Hollywood in 1985, I thought that I would be sitcom star. I'm a tall, skinny, goofy guy. I thought that I would make a great funny neighbor, or wacky office mate, in a sitcom.

After college, I shot a pilot for a show on Lifetime, which was basically House of Style for a TV lover. I think I got paid $1,500, and I was like, "Mom, I'm moving out! I made it!" I did two seasons of that, but I felt like a talking head and wanted to do more.

I couldn't even get an audition for network TV at home in Ireland.

I would have loved to have been in the room with the ABC executives when they watched David Lynch's 'Mulholland Drive' TV pilot. You know that had to be a long silence after that thing stopped.

I would consider a half hour sitcom if the script was good.

No one ever asks me about Breeze O'Rourke! I did the pilot for[Payne] right after Jawbreaker, or at least right around the same time, and it was an Americanized version of Fawlty Towers. That was the first time I worked with John Larroquette, and it was definitely not the last time.

I've been offered quite a few network shows, over the past couple of years, and always turned them down because I never wanted the commitment. The way that it works in America, you do a pilot and then you wait, and I just thought that wasn't really what I was interested in doing, in that moment.

The original plan was that James Wan would direct the pilot [of MacGyver ] but it didn't work out, and then it did, which is great. I'm a huge fan.

I love working in television, and I've been thrilled to be a part of so many wonderful shows. I worked with Lady Gaga on 'Gossip Girl,' and the brilliant Felicity Huffman on 'Desperate Housewives,' but I think my favorite TV job so far was the pilot I shot for the CW Network this year called 'Joey Dakota.'