Judd Apatow, together with me and Lena, we're all the showrunners of 'Girls.'
I think it's good news that cable television is so, so supportive of the Louis C.K.s, the Lena Dunhams, the Matthew Weiners, and the Vince Gilligans. There's just so many people fearlessly making their stuff, you know?
It gets kinda monotonous, but that's television. There are plus sides and down sides. The positive side is that you have steady work for nine months of the year for however many years your show is on TV,.
I've seen, and liked, 'Insecure' and 'Atlanta.'
I've met big-name actors doing Hollywood films, and they've said that all they want is an in at HBO and their own show.
I don't watch sitcoms. I really don't. My problem with them is they take so long to film them that there's no spontaneity. I want to see that.
A lot of directors in television have come up through the technical ranks. They have all the technical skills in the world. They're not all that familiar with actors.
It's funny, because 'Arrested Development' is tied to Andy Richter in a few different ways. For me personally, after I did Andy Richter, one of the next things I did was a show called 'Quintuplets' for a season for Fox, and this was while 'Arrested Development' was on. I used to go over and hang out on their set.
I don't watch much British television at all. I mean, it's ironic because I used to work in it for years.
TV directors just aren't sexy for some reason, Although, you know, Rob and Kim [Manners] are very sexy in my eyes.
I think that what 'Oz' did is it spawned a great generation of television production. But people know its place in television and just in great dramas. It's the foundation of my career. Most producers, show runners, directors, and casting directors put me in movies based on my performance in that show.
'It's Always Sunny in Philadelphia' I did an episode on, and that's one of my favorite television shows ever, and there are these shows that I watch so regularly.
The directors you want to work with are in the television world.
Amy Sherman-Palladino and Dan Palladino gave me such a gift with 'Bunheads,' and to give me this gift of going on 'Gilmore Girls' was beyond. It was awesome.
I do not see myself doing daily TV soaps!
Hollywood's best producers and directors are in film, not TV.
Television is a huge industry, and actors down south are aware of it.
I probably get eight straight hours of acting in an entire season or two seasons of 'Suits.' It's broken into such small pieces.
In the U.S., there are around 300 shows in different networks, so there's a lot of work here.
Working on 'Comedy Bang Bang,' we're there from 10-7, and that's a pretty light day compared to most other TV shows. Other shows, it's like 10-10.
At the same time, television theatre became more visibly active.
The highest-caliber dramatic work produced for TV - not just in cable but something like 'The Good Wife' at network - is consistently great.
I do prime time network shows like 'Blue Bloods.' I've done 'Fringe,' I've done 'The Good Wife,' done a lot of 'The Mentalist.'
I have so much respect for television actors and directors. We're on set doing 16-hour days, and that's just what we do.
I've been in three sort of... I mean, I'd say they're groundbreaking series, if only because of the creators. One was 'Max Headroom', another was 'The Larry Sanders Show', and the third was 'Arrested Development'.