I hate when you see a film and after one scene you know what's going to happen and you can predict the whole story.
My stupid ambition is to make a film that's not like any other - one that has its own kind of logic and hooks viewers without making them think too much. It's a film I'd love to see, one in which after 10 minutes the audience isn't able to predict the whole thing.
A great literary work can be completely, completely unpredictable. Which can sometimes make them very hard to read, but it gives them a great originality.
When I'm watching television or a movie, I like to see stories that are extraordinary. I don't need it be something that is, 'Well this makes more sense to me because I can see this happening to me, or this happened to me.'
I've said in many interviews that I like my fiction to be unpredictable. I like there to be considerable suspense.
The Tamil audience is more receptive to unusual endings.
I like stories that are not normal, everyday lives. I don't personally seek them out, but they find me.
Baseball has a funny way to tap you on the shoulder when you least expect it and tells you it's the end.
