I'm not really frightened by experimenting - that's the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.
I like comfortable clothes. Most men in the world wear T-shirts every day and jeans. I wanted to always put my street style to the high fashion looks and just make it comfortable and make it look stylish.
I've always been a little 'preppy street.' That's how I would describe it. I'm not all the way into street wear, but I am not all the way into a suit and tie either, so I try to combine that look.
I think with everything I do, I'm trying to just come up with new ways of creating music and mixing styles together. That's just what's fun for me to do, to try to make myself inspired.
I like to wear girlie things, but only if I can rock them up with biker boots or a jacket.
I like to mix it up, but I do like a lot of '60s fashion. But I like to make it a bit more edgier, sometimes a bit more rockier, sometimes a bit more classic.
I like to mix influences from different eras, like maybe '70s bell-bottoms, something fun from the '80s, or a bit of '90s grunge.
Youth culture now really looks back and embraces the past, but keeps it contemporary but not sticking to one particular style.
I'm curious about the mix of the effortless bohemian thing with the very modern.
Don't be afraid to mix things up by pairing a military-style jacket with a velvet skirt, vintage with modern, off-the-rack with couture, formal with casual.
My style is Edie Sedgwick meets Grace Jones, or Audrey Hepburn meets Salt 'n' Pepa. Strong and feisty but still classic.
Michael Jackson is so unique, and I look up to him and try to imbibe as much from him and marry it to my own style.
I love the idea of the sartorial mix of fatigues and a great blazer.
As artists, we have the luxury of experimenting with extra crazy things, but I feel like my aesthetic is very street-style and high-low.
I try to be very current. I try to take something from everywhere I've been. I've wrestled in Japan, Singapore, China, Germany, and England. I try to bring a mix of different styles to the table.
The good thing about playing this style that we play, you know, the progressive element of it, is that we can add in different elements of different styles. And that creates a more interesting overall sound.
I mix up all styles on my albums because that is what music is about now.
I love mixing and matching patterns, styles old and new, feminine and masculine and drawing inspiration from characters like Annie Hall.
I love couture, but the other side of me loves the street, and I think the mix of these two can create something new.
I take the best of all the styles I like and put them together in one package.
Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.
I love Diane Keaton's style in 'Annie Hall,' but I like to think my own style is like a cross between 'Annie Hall' and Prince.
