Probably my first couple years in the league, I started paying more attention to what I was wearing. Once I got a few bucks in my pocket and I could afford some nice things, and you get to go, 'OK, let's try some of these things.' And once you try something you like, you probably don't change it much.
You can get away with black sweatpants for a day or two, but pink is something you wear for one day: the day before you go to the washer or cleaners. When people wear pink t-shirts for three straight days, it disturbs me. It aggravates me.
Consistent style prevents presentation from getting in the way of content.
Fashion is constantly evolving throughout the seasons and within various cultural changes, but the one thing that has stayed constant is how I always want my style to be an authentic, intrinsic part of myself.
To be a successful Viner, you have to find your own style and be consistent. That will help you stand out from the rest.
I'm accused constantly of having 'no signature.' That's the big artistic demerit. You can't tell a Wyler film from another man's film just by looking at it.
I'm drawn to what I'm drawn to. I wear jeans and loafers everyday, mostly casual, but when I really turn it on, I like a classic, simple look.
If I was going to direct an episode of 'Younger', I wanted it to look like an episode of 'Younger.'
Just as in life you always marry the same man, so I think you always buy the same clothes over time.
I have a really simple wardrobe. I wear a low-scoop tee every day with a tux or leather jacket and tux pants or black jeans. That's pretty much it.
I have no style. There are certain people who just have a visual sense that defines their work. You could probably watch 30 seconds of anything they do and you'll know exactly who directed it. I don't have that skill.
I pretty much live in my denim jacket. The best thing about this piece is that I can wear it for every season.
Even at summer time, I'm still jacket shopping. I've always found that if you find a really nice leather jacket you kind of just go with it because they're timeless.
Hence my obstinate emphasis on stylistic continuity from work to work rather than specific sibling relationships between the individual work and other members of its stylistic 'family' in the world outside.
An artist is generally expected to stick to one motif, one persona. People get used to seeing someone put down a certain thing.
A design style is defined by a set of microdecisions. A clear style reflects a consistent set. A clear style may not be a good style; a muddled one never is.
The thing about the basics is they don't really change - it's the details and the proportions that change. The shirt may be cut slimmer or looser, the suit might be darker or lighter, the sneakers might not have laces, but you're still talking about shirts and suits and sneakers.
I think I always have the same style. But if I see a trend long enough, I might catch on to it. But it has to be around for a while for me to warm up to it.
I play a certain style. I'm not willing to compromise that part of me.
I never wear a black belt with a black shoe. It's always the opposite: a brown shoe with a black belt.
Some people criticize me for always wearing different variations of bobs, but bobs never go out of style.
My personal style is classic. So a classic element will always find its way into everything I wear.
It's hard to think of them polite flows when Stephano Polato suits are your night clothes, and Jordan sweat suits are your flight clothes, and you still make it even when they say your flight closed.
Every home, office, club, yacht, landscape, or piece of furniture I may design will be different from the other. What will be consistent, however, is my own personal sense of style through it all.
I hear a lot of people saying my stuff sounds the same. When you're in my position, people come to you to give them the same sound in a different type of way.
