Street Interviews Quotes

I actually have videos on my phone of me interviewing people and asking them what they thought of the new Spider-Man in 'Civil War.' They were like, 'Oh he's great. I love him,' and then some people were like, 'Nah, I don't love him. he's not great' - and I was standing right in front of them!

'Billy On The Street' has no doubt always been about the people we talk to. That being said, it thrills me that the show really has a dedicated following in the comedy world.

My favorite elements of 'Start Talkin'' were those man-on-the-street pieces. I love shooting those. I was born in Manhattan, have lived in or around New York my entire life, and I feel like I'm in my element when doing those pieces.

I've found increasingly less effectiveness with the man-on-the street type of stuff that was very standard fare for years. It can still be effective, but it's got to be done well.

With 'Urban Secrets,' I just really liked the idea of wandering around chatting to people.

'Humans of New York' is basically somebody walking up to absolute strangers on the street every day and, within minutes, talking with them about very personal things. Some things they haven't even told their best friends or family members.

The interviews have gotten much longer with 'Humans of New York.' When I was first starting, I was just photographing people. And then I went to just kind of including a quote or two. Now when I'm approaching somebody on the street, I'm spending about 30 to 45 minutes with them often.

There have been man-on-the-street interviews for years, but insulting people is not that funny to me.

I stumbled into this format for 'Last Call with Carson Daly' that I really like, inspired by cable and Dave Attell's 'Insomniac.' I love being out on the street.

I often go out on the street with my camera and ask questions.

It's a very immersive and intense form of travel to walk around with an interpreter and stop random people on the street and ask them about their lives.

I say this to everybody: 'Watters World' makes you laugh, and then 'Watters World' makes you cry, because it is shocking, and even I myself am still shocked at some of the answers when I go out.

I make documentaries from time to time to remind myself of reality. It's like musicians doing scales to keep their fingers working: when you're in the street, listening to people, you're forced to be in the service of your subject.

I can't go into a mob scene and sense the mood and the attitude of the crowd. I can't conduct man-on-the-street interviews or even get reactions that I can be sure are honest, because they know who I am.