Storytelling Pressure Quotes

After I wrote my memoir, 'A Long Way Gone,' I was a bit exhausted. I didn't want to write another memoir; I felt that it might not be sane for one to speak about himself for many, many, many years in a row. At the same time, I felt the story of 'Radiance of Tomorrow' pulling at me because of the first book.

When I don't have a story to tell, I'm a terror to live with.

Mythologies become exhausting burdens, from a writer's perspective.

There is pressure when you have a very big book like 'Shadow Divers' to follow up with something big. But you can't let that pressure determine what you do. You just look for the best stories, and when you find a great one, you tell it.

If I wait for the great definitive story of my people to come around, I'm never going to work.

I think, as a writer, sometimes you do worry, 'Am I just writing, or am I putting the burden of African-Americans on my shoulder and carrying it?' But if we just write the stories that we're supposed to write, that's when we have the biggest impact.

To me, writing an ongoing series feels like driving a freight train downhill. All you can do is steer and pray.

There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.

Because there is less female storytelling, especially motherhood storytelling, there has been immense pressure on my storytelling to represent more people, and to do so in a sort of unrealistic way.

It is incredibly daunting to take on a live-action story. I think that it adds a level of complexity to the responsibility that goes beyond what I've experienced on these two films (The Lorax and Horton Hears a Who).