Every so often, you want to map out your plot mythology but never so specifically that you can't let a story surprise you. You want to allow the type of action of the writer's room so that you have the ability to take a left turn.
We give you characters we'd feel very comfortable judging, and then go: 'Oh yeah? Watch this'.
The key is to constantly keep the audience surprised. If they feel like something is going to happen, or they think from an educational standpoint that something is about to happen because of all the moving parts, it is your job to break that expectation and show the audience something different.
I write fast. But it takes me a while to get going. It's very important for me to see my whole plot. I have to see the end first because I like a surprise in the end. Which is why I let characters and plot gestate in my mind.
If you know everything, it keeps you from writing. You don't want a story to burn you out instead of surprising you.
I feel like the big twist shows are now off the table. I think Westworld was probably the last one to Trojan horse this idea of the young man in black. They were doing non-linear storytelling, but disguising it. Jonah Nolan and Lisa Joy have spoken openly about how they just didn't think people were going to figure it out that fast.
Stories are as unique as the people who tell them, and the best stories are in which the ending is a surprise.
I hate it when it is all about the twist and when the ending comes out of nowhere. I think you should be surprised and shocked, but you should also think, 'Damn, I should have seen it,' because there are clues all the way through.
When writing a novel, I'm not smart enough to know how to foreshadow something if I don't know what it is.
The whole Haley-Nathan marriage deal was a pretty good twist huh? I hope we got all of you with it. That particular story line even suprised me when I read it, it's a good one and it'll provide for some good stories to come.
One of the ways in which writers most show their inventiveness is in the things they tell us about how they write. Generally speaking, I don't like to make a plan before I've written a story. I find it kills the story - deadens it, makes it uninteresting. Unless I'm surprised by something in a story, the reader's not going to be surprised either.
