I wrote a song with Kara DioGuardi called 'What If,' and it's a really beautiful song. It's kind of like a rock ballad. There's a lot of guitars and drums in it.
'Birugali Yondige' is a pathos song, but it sounds romantic.
The song 'Gave It All Away' has a reggae sound.
'iRun' is just a fun turn-up song, me and Yachty.
The riffs, lyrics, and drums of 'Open Your Omen' will tell you a lot.
There's a song called 'Slip To The Void,' which is fairly long and has more of an epic approach. And I guess for lack of a better term some people might throw the progressive tag on it. I don't know if it necessarily falls into that - a few people have brought that up who have heard it.
With its breezy guitars and sweet backing vocals, 'Norway' blows away any semblance of Beach House's previously bleak approach to pop.
My song 'Saved:' that's EDM-vibes with some L.A. vibes.
I love Wilco's "I'm the Man Who Loves You." Nels Cline has that weird guitar slide at the beginning and the song is whispered actually.
We Can't Stop' has so many different vibes to it. She sounds country; the beat has these live, knocking drums; and then it has these pop melodies. It's a feel-good record.
I love the song 'Into the Night.' It's Roy Orbison meets David Lynch meets Iggy Pop on amphetamines. It has a punk edge that is not HIM, per se. It is super melodic and super '60s, and that is very new to me and it is a sense of achievement to me.
