I think in Vice and American Me I played very silent, rigid characters and people remember them.
I looked at early movies with Robert Redford, and I like how Robert, even though he had that automatic charisma and was a very verbal person, he always played those more silent characters and played within the scene and never overacted.
In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.
I was really fascinated by the idea of how cunning and calculating Headless Horseman would be, and how much personality you can actually get from somebody when they're not expressing. They can do a lot of attitude, just within their body movements.
Usually the characters I play are men of few words, who communicate in non-verbal ways.
I'm used to playing characters who have a lot to say but don't know how to say it.
I love some films with very silent characters, people who don't speak, but I wouldn't be able to do that.
Somehow BB-8 and Chewie are really funny without even speaking English.
I gravitate towards silent characters who don't talk much.
I'm always drawn to stories about characters who are somewhat isolated inside themselves by their inability to communicate in some way. That's what interested me about 'Children of a Lesser God.'
