You especially want to strive for that nuance on a show like 'The Flash,' which is different from 'Legends' in the sense that it's really, at its heart, a smaller show. It's a more intimate show, in a way.
I set out to tell my story, which is based on my family. Dr. Cosby told his story in 'The Cosby Show.' The comparisons stop there in terms of my creation of the show. We just both happen to have black fathers at the center of it.
If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
To go straight to 'Scandal' and get to play the larger-than-life guy who has the page-long rants and gets drilled in the leg with blood flying everywhere, it was a blast. It's really been a nice counterpoint after the first season of 'The Carrie Diaries.'
30 Rock is a little different from other current sitcoms, in that it's fast-paced, but the pace comes from the actors, not the editing.
I have to say I am a 'Strictly' fan, which is why I am in it. I've always watched it for years. I am not an 'X Factor' fan, and I just think it is a different show. One is about learning something new and having a great time, and the other is rather desperate.
I warm up a lot harder for a Clipping show than I ever did for 'Hamilton.'
I haven't seen the show, but when it was finished I felt good about what we had done. I don't know how it will stack up with Survival, but that'll be up to the critics.
You can't really compare any TV show to a show written by Aaron Sorkin.
There is a lot of good television out there, stuff that is better for you than 'Stranger Things,' that, critically, people would be like, 'This is an important show,' but I would press you to find a show that's more watchable. That's hard to do.
I would bend over backward to be back on Grey's. Any day, I'll choose lying in bed with Katherine Heigl looking over me over getting thrown against walls by supernatural persons at 5 in the morning.
I always say that No Ordinary Family was the show that should've been.
I feel 'Breaking Bad' - maybe everybody says this about their show - I feel like this show is so special that I don't 'know' that I necessarily really know what it's like to do a regular show.
'SmackDown,' I feel, has more excitement than 'Raw,' even though 'Raw' is always branded as the flagship show.
I went to audition for an episode of 'Law and Order,' and they didn't understand why I was talking so fast, and I was like, 'No, you don't understand. I was on a show called the 'Gilmore Girls.' We had to say everything like that.'
Torchwood''s never going to be as heavy an effects show as 'Doctor Who.'
In a regular soap, you do the routine stuff, but in a supernatural show, there are so much more to do and learn.
I think to describe 'The Gates' as a genre show is tricky because when you think of what's a vampire show or what's a supernatural kind of thing, I think other shows... maybe focus on that element probably slightly more than our show does.
7th Heaven is quite a hit for them now, and they are hoping to appeal to a very similar audience with our show; skewed slightly older I guess, since it's a 9:00 to 10:00 show.
Over the years, it seems 'Firefly' has only gained momentum rather than lost it. I still get letters from people who watched the show - I get more 'Firefly' than 'Mad Men' letters.
Coming off a show like 'Lost,' there were other offers, but it was difficult to get excited about anything because 'Lost' was such a great piece of writing and such a hit show.
In a weird way, 'Veronica Mars' was my reaction to 'Freaks and Geeks' because 'Freaks and Geeks' was the show I wanted to write, the one I wanted to create, where there was no gimmick; you didn't have to have a teenage private eye. It was just these beautiful small stories about real kids.
I don't know that you can compare it to another show because each show has its own individuality.
The standard that '24' is held to is higher than at other shows. A weaker episode of '24' would be an amazing episode for a lot of other shows.
I don't much enjoy Back and Forth. I mean, I think it has its own particular qualities, but I think it's inferior to any of the half-hour ones we did.
