Teenagers used to go to the movies to see adults having sex. Today adults go to the movies to see teenagers having sex.
Soap operas have become sex operas.
My works tends to be erotic.
I don't think any of our lyrics have ever been erotic in a sexual term, because I haven't really written, touched on, that subject too often. But, uh... I mean, I suppose they could point the finger at us for violence maybe in certain songs.
I write about what I know: teenage dating, overly charged sexuality, all the things that make you uncomfortable.
I'm a little more mature, and a little more aware of the things that I might say. But um, it aint going nowhere because everyone still loves sex, but it's how you present it like I have this one track of Choice," which is a metaphor.
Speaking of nudes, I have always had a great fondness for this subject, both in my paintings and in my photos, and I must admit, not for purely artistic reasons.
In Eleven Minutes, I started with the question of why sexuality is considered one of the major issues in life.
Baudelaire's L'Héautontimorouménos was long seen to be a sexual sadomasochistic poem, it is now generally accepted that the poem is about writing poetry.
Rhythm and sex go together and that's where I come from as far as the music goes. Rag Doll and Love In An Elevator are such sexual songs that you put them on & the strippers go NUTS!
I don't see how 'Hunchback' could ever appeal to children. It's a very adult story that deals with repressed sexuality.
I very much like writing about homosexual relations. I don't quite know why. Perhaps it's because I feel there's still so much to be said about them.
My parents were open about sex. And my dad makes paintings that have a sexual component and it still scares me.
The sexual deviance - I'd be lying if I said I didn't miss that; but we do have hints of it but in a more psychological way and therefore more human way, arguably. Or certainly to the extent that the animated series takes that sexuality.
I look at my music in the beginning, and the sexual songs, the partying songs, those are the realities because those things happen.
I focus a little more on pacing when I write books in the young adult category, and of course there's the great American fear of anything sexual, so that's somewhat backed off in YA.
The sexual is part of everything, and it's highly formalized. I hadn't done figure for a long time. And I thought to myself, "Why not the erotic figure?"
We also knew [ me and Ewan McGregor] that, on a practical level, if there was going to be that much sex in the film [Young Adam] - which there clearly had to be because sex is the meat and potatoes of the thing - it had to be varied for the audience, because it's important to keep the audience living in it.
I believe that I have now experienced the lifetime maximum exposure to bottom spanking in fantasy novels.
Updike was the first to take the penile sensorium under the wing of elaborate metaphorical prose.
If you read my short stories, there's a lot of sex in those in all different ways. To me, it's a really good, useful thing to get to have in a story. And in a movie, it's amazing, because you actually get to show things.
