There's a hustling, but also a self-centred vibe you can get from people in Delhi.
Most men are so thoroughly subjective that nothing really interests them but themselves.
To be honest, I'm selfish as an artist. I'm doing what I want to do and what I want to hear.
Every true passion thinks only of itself.
People are not interested in you. They are not interested in me. They are interested in themselves - morning, noon and after dinner.
But the bottom line is that, as humans, we are by nature selfish creatures. The only way we care about anything, really, is by making it about us.
Everyone in New York is very self-involved. They're focused on themselves. Like, walking down the street, people are just in their own zone.
I didn't really give a sh** what's going on in the rest of the world. I just didn't. I just wanted to focus on me, me, me, my career, my life, just me - blinders.
People say I'm selfish. There might be some truth to that.
Assured her I've never loved anyone except myself and have no intention of starting now.
Personal importance, or taking things personally, is the maximum expression of selfishness because we make the assumption that everything is about me.
And to be honest, most actors are incredibly solipsistic.
There is a perspective out there that I'm very much all about myself... I just live with it.
I essentially write for myself.
My point is, that if I'm honest, my life is all about me.
A lot of acting techniques are very self-oriented.
By and large, I have come to see that if we complain about life, it is because we are thinking only of ourselves.
Most people are far too much occupied with themselves to be malicious.
The last end of every maker, as such, is himself, for what we make we use for our own sake; and if at any time a man make a thing for the sake of something else, it is referred to his own good, whether his use, his pleasure, or his virtue.
A weakness of many of the self-oriented play theories is that they often sound too much like vain consumerism instead of being about the more passionate and willful character of human play, which involves a willingness, even if a fantasy, to believe in the play venture itself.
