I will never unravel the mystery of how a script gets into the hands of certain people.
Howard Minsky had gotten the script to her agent prior to my involvement.
No one ever wants the whole script. I give the whole script to people who require the whole script but to those people who don't require the whole script I don't give it to them and no one cares. They're relieved not to have to read extra pages that they're not in.
My dad reads the scripts and passes them on to me.
The script for 'In Good Company' was the first one I ever showed my dad.
On '24,' it says on the front page of your script: 'This script is for the production staff and cast. Please don't show it to anybody else.'
I don't even give my scripts to friends because I just feel it's, like, I don't need one more set of opinions.
I have this group of friends that I'll send my scripts to before I send them to a large audience.
I have pictures from work that I'm sending to my family. I send them scripts that I'm working on so they can be excited and know what's up with me.
