Script Selling Quotes

I've sold scripts in the past, and also a TV pilot that didn't get made, to Fox. But yeah, I've been writing for a while.

I think if you get your fifth script made, that's the fast track. But there's no guarantee any of them will get made.

The absolute base-level thing that you do as a new screenwriter is send out query letters. Literally, you just say, 'Hi, Mr. So-and-So,' and you give them a one-sentence description of one of your scripts. You send it out to a list of people you found on the Internet.

The guy that picked me up at the airport in 1985 when I was out in L.A. for my first audition was selling a script. I was a nobody coming off a plane to read for a new show.

It's really hard to sell a script, and it's even harder to get a movie made. It just almost never happens.

It really started after The Long Kiss Goodnight sold for just a sinful amount of money. People were angry that I took the money. People offer you $4 million for a script - what are you going to say? "No, I'd rather sell it for $100,000"? But it engendered so much anger, I lost friends over it. And no one talked about the creative content of anything I did any more. They all just assumed I was this guy with a formula, a hack formula.

When you are making a lot of money people forget you are trying to be creative and they picture you laughing all the way to the bank ... especially with an action script, automatically it gets boo-hooed as being worthless. It was very difficult to hear that sort of thing and I lost a good many friends over money issues because they didn't have money or their scripts weren't selling and mine were.

Once I started selling scripts for a great deal of money - action scripts, no less, which people tend to pooh-pooh anyway - then I started to get some backlash. Which I didn't mind.

Like a lot of people, I sold my first script in graduate school at UCLA, a 'Joan of Arc' for producer Joel Silver.

I had written four scripts before I wrote Recount. Each one progressed my career a little bit, but I didn't make a dime off any of them. Recount was the first thing I sold, and I actually sold it as a pitch to HBO. They bought it as a pitch, which was a miracle. I thought, "Wow, this could be the last time I'll be paid to write a script again, which would be too bad because that was an amazing experience I just had."