Script Availability Quotes

I don't have a stack of scripts.

I live in New York, so I don't get that many Indian scripts.

Good scripts are difficult to come by in the industry, especially if you are an outsider.

Good scripts are hard to find.

I honestly believe, and I've said it many times, that the universal stems from the specific and I can't walk around with a performance and ask everyone how they feel about it, but if noble is an opinion that people have I'll accept that. I've been asked many times why I don't play bad guys, or heavies, and I would do it, absolutely, in a second, just haven't been offered any so... if anybody has a script out there tonight I'm more than willing.

When 'Hung' got canceled, I was available for pilot season, and 'Arrow' was the first thing I auditioned for. It wasn't the first script that came to me, but it was my first audition.

I won't be able to do what I'm doing forever. There aren't that many scripts floating around for fifty-year-old chicks.

I think it helps, as an actor, to never know when you're going to get that next script and you're done.

I live in a small town in Connecticut, and they don't write scripts there, but I get them anyway because my agent is in Los Angeles.

And when I first started writing, it was literally in acting classes. And what would happen is now it's really easy to get scripts and stuff but back then, you know, oftentimes you'd buy the novelization to a movie if you wanted to get an idea of what the scene, you know what happened in the scene.

I've never committed to a role without a script.

In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.

A lot of times, for videogames, you get almost no time to prepare with a script. You've got a director that's going line for line, filling you in on what's happening, and some games are even less than that.

When you're casting, you get a page or two - just enough to do the scene. Now that you're in the world, you get the whole script.

Good scripts that are offered to me are few and far between, so I pick the best that I get.

I am doing films that are content-oriented and where I have the scope to perform. Rarely do such scripts happen.

As an actor, the toughest thing is being subject to circumstance. Meaning: What scripts are out there that are available?

I don't get a lot of romantic comedy scripts.

Many people from the industry come up to me and say 'We don't see you onscreen much.' But where are the scripts? Do you think I am not sitting in my office and waiting for something like 'Matru' to happen to me? I would love to do four such films in a year.

Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.