I'm still trying to write. I wrote a play a few years ago, so I'm trying to start writing again. The play was called The Commons Of Pensacola. It was at MTC [Manhattan Theatre Club] with Sarah Jessica Parker and Blythe Danner. It was kind of like a riff on Ruth Madoff.
'Vogue' has a history of picking up on various TV shows that reflect a moment in popular culture, whether it's putting Lena Dunham on the cover or Sarah Jessica Parker.
I wrote a play before that and it never saw the light of day. And then I started working on this play and it came out really quickly. Eventually I got it, and I wrote a letter to Sarah Jessica Parker and she wanted to do it. So that's how it happened.
I love Sarah Jessica Parker; I've worked with her. I think she's amazing... She's a great producer and has a great business acumen.
Yes, of course I love little Sarah Jessica Parker. I love the fact that when she accepts awards, she thanks everyone she's ever met and inanimate objects that have 'been kind to her.' And I love the fact that she hasn't had a flesh-coloured mole removed from her forehead (I'm not making it up; have a closer look next time she's on the screen).
I must point out - Sarah Jessica Parker is not a diva - she's one of these pop culture characters that everybody likes.
My very first scene on camera for anything was with Sarah Jessica Parker in the 'Sex and the City' movie, and she couldn't have been more lovely and beautiful and kind, and on top of that, she's just a killer actress.
I love Sarah Jessica Parker. What's not to like?
I started with commercials - for shampoo, pancakes, insurance, Volvo. I did a Lux soap commercial with Sarah Jessica Parker. And I got a role in an indie film called 'Satellite' that did well in festivals.
