Romantic Plot Quotes

I've always felt that it didn't feel right for me when a protagonist goes through a storyline where they're killing a lot of enemies, and at the very end of the story he ends up kissing the heroine and that's where you end the game.

There's no good story without romance.

I think the best type of action movie combines a love story with the action.

I have always felt like romantic comedies are incredibly predictable. You look at the poster and you know those two are ending up together at the end of the movie.

I've never watched The Notebook either. Not big on romance flicks," I admitted, opening the huge cartons. "Really? I thought every girl has seen that movie and can quote it at a drop of a hat.

Heroine: Girl in a book who is saved from drowning by a hero and marries him next week, but if it was to be over again ten years later it is likely she would rather have a life-belt and he would rather have her have it. Hero: Person in a book who does things which he can't and girl marries him for it.

Instead of making Friday The 13th, Part VIII or whatever, I was making the girl-meets-boy, girl-meets-girl-dressed-as-boy movie. It was fun. I liked it. It's goofy. I look back at myself and think, "What the hell was I doing?"

It's tough. We don't have a character-driven show so I think the fans get really frustrated because they don't get to see any consistency in terms of what's happening romantically. We kind of just have to take it with a grain of salt. It shows up where it shows up.

If it's a good romantic movie like The Notebook or...The Longest Ride . No, I don't know. I thought it would be great to work on one of those genres and we made a pretty darn good version of one of those. There are some that come off as sort of cheesy, but this one was pretty good.

I would like to do maybe a smaller romantic comedy.

You can't make an action movie without action, and so, you can't make a romance movie without romance.

One of the pitfalls of a romantic comedy is that you know how it's going to end.

A romance novel focuses exclusively on two people falling in love. It can't be about a woman caring for her aging mother or something like that. It can have that element, but it has to be primarily about the male-female relationship.

I finished The Freebie, which was a small relationship "talky" movie, and I was like, "I just want to get out of the house! And I want there to be some action, and I want some tension in there!"

The male is always the pawn in a romantic comedy. Come together, break up, go chase her, get her, roll credits. That's what happens in all of them.

Oh, I get it, it's simple. PG means the hero gets the girl, 15 means that the villain gets the girl, and 18 means everybody gets the girl.

Telenovelas have been part of my world since childhood, I always felt like I had to be something that I wasn't.

Right before Pamela Anderson met Tommy Lee I got this crazy script to do this incredible movie with her where I play this cop with a young partner like Brad Pitt who is in love with Pamela Anderson and he gets killed in the line of duty and she falls in love with me and it gets really crazy. I turned that down.

I was supposed to be a romancer, either wooing the leading lady or competing with the leading man for her.

Americans have always been excellent at making romantic comedies - but dramatically, we don't really try to do it.

I could go my whole life and say, 'I'm not going to do anything with a love triangle,' but whenever you have a romance, there has to be some obstacle, and even the dumbest romantic comedies have a love triangle or something.

I thought I had played Ted for the last time when he left Sacred Heart Hospital to be with the love of his life. But the producers of 'Cougar Town' had other ideas.

I actually like love triangles in books. That's one of the main reasons why I wrote one. I really love love triangles.

That first meeting - the one where the hero and heroine start the slow burn that takes the whole story to turn into true love - is the single most important part of the whole book. Nail it, and you've won yourself readers.

I get scripts all the time, but I read this [Baggage Claim] thoroughly, and I loved it. It was light hearted, cute, sweet, and funny. I told my agent that I liked the script, but I did let my acceptance of the role slide a little, until I was watching television one day; scrolling through the stations, and there was this play. And I don't like plays made for the screen. But, this one, "Suddenly Single", caught my attention.