I pull a lot of the stuff that I play off the rhythm tracks - and Keith Richards has been one of the main contributors to my inspirational playing.
I don't want to be a lead player. I don't want to shred and play fast licks. I just want to be the best rhythm section ever.
I've never been much of a guitarist. I mean, I've played forever, but I was always more of a rhythm kind of guy. I don't read music.
I can play rhythm guitar. I know how to hold a guitar and strum it.
Pete Townshend is one of my greatest influences. More than any other guitarist, he taught me how to play rhythm guitar and demonstrated its importance, particularly in a three-piece band.
When I was about 12, I had my first paying gig - 8 dollars to play rhythm guitar in a polka band. Pretty soon, I ended up playing in all the bars within driving distance of Abbott, Texas.
Of any guitarist, Jimmy Page was my biggest influence. I wanted to look, think and play like him. Zeppelin had a heavy influence on Rush during our early days. Page's loose style of playing showed an immense confidence, and there are no rules to his playing.
Although I'm a lead guitarist, I'd say that a good 95 percent of my time onstage is spent playing rhythm.
What happens is people go, 'I want to play the guitar,' and the first thing they do is hit Google: 'How can I play this?' and the next thing you know, you've learned all these tricks, but you've never learned how to play rhythm guitar with a groove.
Lots of times I'll play lead and rhythm together.
I can't deny that Eric Clapton's and Eddie Van Halen's lead stuff has influenced a stack of people, but for me, it's the rhythm thing that's way more impressive and important to a band.
If you are having trouble making a chord, get a book, that is how I learned. There are guitar tuning apps so you can tune your guitar, and just learn how to play along with your records. And it's great to be able to play along with another musician. That is like trial by fire.
Most blues guitar players don't concentrate on singing and melodies. And forget about the bridge - the bridge doesn't exist. They go straight for the solo.
What I used to play was rhythm guitar before I saw Jack Bruce. I said, That's what I want to do in life. He was definitely the main influence.
I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.
My guitar-playing always included bass lines, melody lines, and rhythm-guitar grooves.
It wasn't a class system where I was the better guy and he was the second-rate guy. That was his role and my role was to play the solos. But he took great pride in his technique as a rhythm guitarist.
I used my Schecter for all my rhythms and most of my solos, certainly the fast solos.
As far as I'm concerned, it's no good being able to wail out smokin' leads if your rhythm chops hugg!
No matter how long you play the guitar, there's always something else to learn.
'My Friends Over You' has two guitars, but if you listen to us live, it's the same... I know how to hit a rhythm note and play lead at the same time.
I really consider myself more of a rhythm guitarist than a soloist.
I noticed a lot of guitar players neglected the rhythm part of rhythm guitar and decided I would try to focus in that.
If anything, even though I can play in the sort of standard string-bending style, in the B.B. King mold and all of that, I've always had a great interest in the more primitive playing, the open chord playing, rhythm and figures.
I've never been a big soloist; I just put in what needs to be there. I'm more of a rhythm player who plays lead - or tries to play lead.
