I reread a lot. I must have read 'The Once and Future King,' 'Watership Down' and Mary Renault's 'Theseus' books at least a dozen times each.
I'm inspired by antiques. I look at things that have a wink to the past but are also reinterpreted in some way and made to feel modern... and maybe that's what I am.
Coming to life as classics, they come to life as other than themselves; they are deprived of their antagonistic force, of the estrangement which was the very dimension of their truth.
I present classics in an unfamiliar way or unfamiliar ingredients and preparations in a classical way.
Hollywood is in love with any kind of nostalgia that can prove itself to be commercial.
The landscape of cinema is not original. Not to say there aren't great movies being made, but it's much easier for studios to make movies that have built-in audiences. So it's all remakes, adaptations, a lot of remakes of adaptations.
I wear modern... vintage.
In general I think the inspiration was to think about all those movies that I saw as a kid and never knew they were remakes, because I know there's probably another kid going to watch Evil Dead who has no idea.