I had gone to acting school for years. It was the kind of thing I had studied to do. I had worked with good coaches and trained to do this my whole life: to be a realistic actress capable of doing truthful work.
The cool thing for me, as an actor, I like to be as true and honest as possible, and I'm into real fight training.
I prefer to underplay scenes rather than, you know, be big and drive them. And sometimes you have to do that, but I like the more natural styles.
I like playing these characters who are just on the edge of ridiculous but always grounded in reality. I would never want to come across as a cartoon.
The only way to make a scene realistic is to do it the way you know it would really happen.
I prefer the smaller acting than big histrionics. It's about reacting and looks, which is often underestimated.
Finding a writer who can write decent kids' dialog and finding kids that can act realistically and not 'cute' is an effort.
I enjoy playing real human beings after playing a lot of larger than life characters. I love playing true to life characters and that is what I intend to do for the majority of my career.
I don't believe in acting. I think that people in life act, but when you are on the stage or, in my case, also on screen, you have to be true.
Playing with guns you revert to a little boy sometimes. But they're not great things to play with, so it's just making them look real. When it comes to shooting guns or using any prop, you've got to make it look like you know what you're doing with them. It's called acting.
I'm relatively physically adept and I like throwing myself around. Once, twice, but then you get to nine, ten, eleven and to try and make it look realistic all the time, that's not very pleasant.
I believed in making it look real. I was probably hard to work with because I wanted it to make real, and I knew how to wrestle.
(Guy) Pearce, as the hero, makes the mistake of trying to give a good and realistic performance. (Jeremy) Irons at least knows what kind of movie he's in, and hams it up accordingly.
Real acting is realistic no matter what the medium.
Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself.
Theater to me is acting but it's more real on film.
I would like to play some character that's somewhat dramatic. I don't see myself ever becoming that serious, or it sounds weird, but I don't see myself doing something that's really dramatic but somewhat dramatic. I would like to do something that's more real and doesn't have to be laugh out loud funny. I always like whatever I'm involved in... whether it be funny or whether it be somewhat like... I'm not gonna try to get people to really cry.
I think when see you a character on the screen who is actually being touched by the world, and the stuff is actually landing on him, it makes you empathize.
As an actor, one should be aware of all their capabilities. This is important, as films are becoming more realistic.
I don't consider myself very brave in any sense. I'm interested in this kind of behavior. My job is to try to make it realistic and emotionally resonant. That's the most challenging thing, to bring emotional resonance to what you do as an actor.
Ranbir doesn't like to portray characters which are larger than life. I am very proud that he took such challenges.
I knew what kind of actor I was going to be, and I looked for inspiration to people like Alec Guinness, Cyril Cusack, Timothy Spall and Jim Broadbent. I looked at them and thought, 'They play human beings as they really are.'
Tone is so important because you can have a great script just be ruined with the wrong director - if they shtick it up or something. With 'Little Miss Sunshine,' I was so concerned they weren't going to play the pageant official realistically because you don't have to wink to play those kinds of characters.
People have said, 'You don't need to do any more biopics. You don't need to play any more real people.' I don't agree with that.
Sometimes with a comedy it's just having the instinct of how real you play it and what level you want it.
