Public Debut Quotes

I think it was really important for me before I 'debuted myself' in front of the world to have a private life with my imagination and my writing for several years. That also made it so I didn't feel desperate for someone to find me.

When you premiere somewhere like Cannes, it's huge. It's nerve-wracking.

My debut upon the world's stage occurred on February 26, 1845, in the State of Iowa.

I literally knew nothing when I did that show ["Tony Flanagan"]. It was the first time I signed an autograph, it was the first time I got fan letters, it was the first time people screamed when I came out.

I got into the studio when I was thirteen. At the age of twelve I was doing public performances.

There's kind of this unequaled thrill of playing a half-finished song, it's kind of sense of slight embarrassment; like you're blushing. I like doing that. I did that with "Eyeoneye" and it was almost a curse on the song for a while; I debuted it when it was half-finished in a very public way

I performed in public for the first time at three years old. I remember it like it was yesterday. It was on a big stage. There were probably three or four hundred people in the audience. We were doing this dance, this Kermit the Frog routine, all of us in our little green leotards.

It was nerve-wracking [to unleash 'Life of Pi' to the world]. The first show to the journalists, that was the first one, so I was very uptight. Then I felt okay about the reception because we did a press conference with good and friendly questions, although people looked serious. So really, after the show you went to - the premiere - that reception tells me I think the movie worked, so that was a relief. I started to feel deflated.

It's one thing getting the job of Doctor Who, which is wonderful. And then the next thing they say to you is, 'We're going to announce it live on television!' And you think, 'That's not exactly what I thought I was signing up for!'

My preference is that, that day when someone sticks a tripod in front of you with a camera on the top, it is not day one.

I wrote my own pop songs and sang one of them when I went into a stupid beauty competition when I was 16. That was my public debut, and it made my mother even more determined that I should go into opera!

Every show is a mess at its first preview. No one's had enough time to rehearse in costumes, traffic patterns backstage haven't been worked out, machinery weighing thousands of pounds is being operated for the first time. And, also, it's the first time all the material you've written is before the public.

I was, like, 28 or 29 when I finally was on camera for the first time.

I've been singing for six years. I've been in and out of the studios with top producers, but it wasn't something I was ready to express to the public or to the press. I wasn't ready to come out. I wanted to perfect my voice and be 100 percent positive that I could come out right.

I will go to the Opening of Anything, including a Toilet Seat