I try to dig deep into the well of my subconscious. At a certain moment in that process, the lid is opened and very different ideas and visions are liberated. With those I can start making a film. But maybe it's better that you don't open that lid completely, because if you release your subconscious it becomes really hard to live a social or family life.
Socially relevant risk is not uncertainty of outcome, or violence of event, or toxicity of substance, or anything of the sort. Rather, it is perceived inability to cope satisfactorily with the world around us.
The health of the soul is as precarious as that of the body; for when we seem secure from passions, we are no less in danger of their infection than we are of falling ill when we appear to be well.
The fear of loss is greater than the desire for gain.
She asked for my love and I gave her a dangerous mind.
The usual comment from psychologists and psychiatrists was that it's best not to encourage people to look at their dreams because they are liable to stir up problems for themselves.
Sometimes I even say that I have surpassed Lasker in using psychology. How? Well, sometimes I use psychology with a portion of risk. That is something else, something that Lasker wouldn't allow.
Self-knowledge is a dangerous thing, tending to make man shallow or insane.
Acting is a masochistic form of exhibitionism. It is not quite the occupation of an adult.
Fascination with the psychic - or the psychological - can be a dangerous sidetrack on any spiritual path.
Personal disintegration remains always an imminent danger.
It's a weird thing... putting your emotions out there for everybody to see while filming. I think it puts you in a kind of vulnerable state.
