I find psychological thrillers interesting both dramatically and visually.
I'm hooked on Polanski's films, his psychological thrillers. I love 'Rosemary's Baby,' I love 'Repulsion.'
The best horror walks a line that's completely on a psychological level, not needing the typical tropes of traditional horror filmmaking, then also having to tease out those elements in a way that makes the audience feel like they know what they're in.
His sudden mad love for Sibyl Vane was a psychological phenomenon of no small interest. There was no doubt that curiosity had much to do with it, curiosity and the desire for new experiences; yet it was not a simple but rather a very complex passion.
Mr. Faulkner, of course, is interested in making your mind rather than your flesh creep.
I saw the police thriller The Blue Lamp' and remember realizing the power that Dirk Bogarde as the gangster exerted over the audience simply by his expressions in the close-ups. I could see how the people around me reacted to him and realized that I wanted to have the same effect.
I think I'll stick with psychological thrillers.
The term 'psychological thriller' is an elastic one these days, tagged liberally on to any story of suspense that explores motivations while keeping blood and chainsaws to a minimum.
I don't watch things like 'Jeepers Creepers' or 'Final Destination 53.' I really like more of the psychological thrillers, like 'Rosemary's Baby,' 'The Shining' and 'Don't Look Now.'
Some of the most interesting characters in literature and in movies and TV have been ones that you can't quite figure out all the way.
A scene should be selected by the writer for haunted-ness-of-mind interest. If you're not haunted by something, as by a dream, a vision, or a memory, which are involuntary, you're not interested or even involved.
What I would like to do is a thriller. I've been wanting to do that for a long time, but one that was not at all dependent on special effects. Just purely psychological, but will scare the hell out of you. That's what I would like to do. I have not found it yet.
I don't like the slasher stuff, myself, but I do like the psychological horror of Roman Polanski and that world. But, it's curious to me why people do like to be afraid.
It's easy to see why 'American Horror' is freaking people out. The ultraviolent hallucinations never pause long enough to make sense. In terms of coherence, it makes your average David Lynch movie look like 'Burn Notice.'
Because crime stories reveal an aspect of our personality that everybody has, but which we normally keep very deeply hidden. We like to talk about the good sides of ourselves. We don't like to talk about our hatreds, our distrusts of one another, our secrets, but crime stories drag those things to the surface and consequently they fascinate people and always have throughout all history.
By the time I got to 'Silence of the Lambs,' I was madly in love with close-ups because I'm madly in love with actors, and a basic premise of 'Silence of the Lambs' is the story about two people fighting their way into each other's heads.
People love dark stories because they take you to a place you think you don't want to go but really you do.
I like all of the mental, psychological thriller movies too. I enjoy horror movies across the board.
From bell to bell, from when my entrance plays and I step through that curtain, people have to wonder what's going on inside that guy's head.
