Prose Quality Quotes

If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.

I believe so deeply in the primacy of language, in lifting your prose to the highest level you're capable of and making your words symphonic.

The poetry from the eighteenth century was prose; the prose from the seventeenth century was poetry.

Pace is crucial. Fine writing isn't enough. Writing students can be great at producing a single page of well-crafted prose; what they sometimes lack is the ability to take the reader on a journey, with all the changes of terrain, speed and mood that a long journey involves. Again, I find that looking at films can help. Most novels will want to move close, linger, move back, move on, in pretty cinematic ways.

When you are a sentence-based writer, they have to be good. They have to be really on the spot. Because when you don't have a plot, really, what shall you rely on? Just language. And sometimes I am so afraid of writing the wrong thing, I just sit and wait for the right thing to come.

Men will forgive a man anything except bad prose.

You can't not like 'The Great Gatsby.' It's got the best sentences in, like, ever.

I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.

What's impossible not to notice, though - it's all around us - is the diminution of American prose: How pedestrian it has become. Pick up any short story and listen to its voice, the tedious easy vernacular that mistakes transcription for realism. This would display an understandable pragmatism if it were a pandering to common-denominator readers; but it is, in fact, a kind of hifalultin literary ideology, the less-is-more Hemingway legacy put through an up-to-the-minute industrial blender.

The definition of good prose is proper words in their proper places; of good verse, the most proper words in their proper places.The propriety is in either case relative. The words in prose ought to express the intended meaning, and no more; if they attract attention to themselves, it is, in general, a fault.

Fiction isn't made by scraping the bones of topicality for the last shreds and sinews, to be processed into mechanically recovered prose. Like journalism, it deals in ideas as well as facts, but also in metaphors, symbols and myths.

[Tom] Wolfe's books offered a whole new world to step into, and whilst at times you could accuse him of being somewhat long-winded, he had an incredible quality of prose and a bravery of writing from the heart. He believed in being autobiographical at all times.

Good authors, too, who once knew better words now only use four-letter words writing prose... anything goes.

It's a completely powerful and serious book, as good as anything in prose or poetry written by a 'beat' writer, and one of the most alive books written by any American for years. I don't see how it could be considered immoral.

Altogether beautiful in the power of its feeling. As beautiful as anything in Thoreau or Hemingway.

Cormac McCarthy's language is perfect. He is in my view the greatest living American prose stylist.

What I do say is that I can write verse, and that the writing of verse in strict form is the best possible training for writing good prose.

'At the Gates of the Animal Kingdom' by Amy Hempel showed me the lean quality of prose.

For me a page of good prose is where one hears the rain. A page of good prose is when one hears the noise of battle.... A page of good prose seems to me the most serious dialogue that well-informed and intelligent men and women carry on today in their endeavor to make sure that the fires of this planet burn peaceably.

Respect the language in which you write. Be kind, develop good vocabulary, and be creative in writing beautiful sentences. Your prose should be your poetry when you write.

The prose of Joe Pulver can take its place with that of the masters of our genre – E.A. Poe, H.P. Lovecraft, Ramsey Campbell, Thomas Ligotti – while his imaginative reach is something uniquely his own.

An essential element for good writing is a good ear: One must listen to the sound of one's own prose.

And what holds good of verse holds infinitely better in respect to prose.

My prose is turgid, it just hasn't got any energy.

'The Sound of Things Falling' may be a page turner, but it's also a deep meditation on fate and death. Even in translation, the superb quality of Vasquez's prose is evident, captured in Anne McLean's idiomatic English version. All the novel's characters are well imagined, original and rounded.