I think that the test for taking on a project is to try and list all the reasons not to do it. When you find yourself running out of reasons, and you still have to do it, it's the right thing to do.
There's only so many small shows you can do. A lot of the smaller things are more side project things. Not everything is appropriate for Sonic Youth to do.
Sometimes when people are attached to a project, they need persuading to stay attached, and then, in retrospect, they're not the right person.
Oftentimes, actors don't have the luxury of picking their part. You go from one project to the next, and you hope that you find one that fits you and that you're suited for, and then they see that you're fit for it.
If you've got a piece and you can feel the person who's going to direct it is really made for it, if it's really special for them, then it's going to be a better-than-usual experience.
Science fiction was never my thing. I have no interest in it. So I don't think I could successfully pull off being on a project like that without really losing my mind.
I will not do a role that I don't think I can do, that I'm not interested in, where there's no humanity, that doesn't have any kind of handle for me at all because I know I'll just stink the joint up.
There are always discussions about casting stars in lead roles in theater - especially when you're working with commercial producers - and it's not something I'm against, not at all. But any casting has to be right for the project.
