When I moved to Orlando, it was my first time moving from Cleveland. You never know what to expect. But to be able to go and work with Shawn Michaels and learn from him - it's just mind-blowing.
I think it's so important as a woman, and especially as a minority, to lift as you climb. So having people shadow you or mentoring people - that's important to me.
Craig T. Nelson, who played my grandfather on 'Parenthood,' gave me a lot of advice at the end of the show. I'm really insecure, and I get uncomfortable with things, and he gave me a lot of advice about that.
I remember one spring when I was doing the team's telecasts, Bob Allison was with me, and we were walking through the clubhouse in Orlando. This kid who was trying to make it with the Twins as an outfielder came up to me and asked who was that with me. I said that's Bob Allison, and you better hope you have as good a career as he had.
One of the first big agencies that represented me, my point person there - this was over 10 years ago, so it's no one who I work with now or have worked with recently - but he told me that I was too ambitious.
Develop a mentor at each stage of your career - someone who will give you guidance and advice.
Sixty-four percent of managers in the U.S. are afraid to be alone in a room with a woman. Mentoring is all about being alone in a room with someone. Let's start talking about this honestly. The lack of equal access is the silent killer for women and no one wants to talk about it.
It is a great honor to become Executive Producer of 'Frontline.' David Fanning's mentorship and partnership over the past fifteen years has been extraordinary. I am inspired by his legacy and honored to guide 'Frontline's future.
And I went off to Stanford, I was pretty young and pretty naive. And I had a professor I really loved, who was himself a lawyer.
I never wanted to go to university: books seemed to have all the answers, and the questions, too. I went to work for Jean Muir as her in-house model. Miss Muir - as she will always be to me - was interested in everything.
My career did start in the Spanish language industry, and that's probably because my father is my manager. He pushed my career in the direction he knew best.
I feel that one of the fields that I need to learn a lot is screenwriting. I used to write my own screenplays, but it's just that I remember that at that time, I was saying to myself, 'I wish one day I will meet a screenwriter that will help me because I feel that I need to learn.'
I understudied Colm Feore quite a bit in '85 and '86 - 'Persephone' and 'The Boys from Syracuse,' too - and that was great, great training for me. He was and he is an amazing theatre actor.
The caliber of actors I'm getting to work with and learn from on a daily basis is phenomenal for me as a developing actor.
I feel very confident and empowered before the camera, after working with Arjun Rampal.
If you intend to take the journey of mastery, the best thing you can do is to arrange for first-rate instruction.
