Professional Filmmaking Quotes

I would love to work on a film which would be close to Hollywood standards.

I was blessed enough to know that I wanted to be a filmmaker when I was a kid, the first time I realized that that was something people did for a living.

I made my first film on 16mm. Then I began using 35mm.Then I began working in Hollywood. And I began to really understand how films were made by professionals. I have to say I wasn't very impressed.

I make commercial films only. I don't make small, boring films.

Kodak has always represented innovation that is approachable while delivering the craft of filmmaking.

I don't want to make a half-assed film. It's not my area of expertise.

For a film to be viable, it has to survive this process of scrutiny. I think most filmmakers have obsessive-compulsive tendencies and would be completely unemployable in any other job - so it's great to be able to channel your psychological anomalies into something productive and creative.

The Australian film industry has recognised Tropfest as a place to nurture young talent. It's a stepping stone between amateur and professional.

A Red camera is the best. When I started shooting videos, I had to pay ten thousand dollars just to rent one. I was like, 'I do all these music videos, and I still don't own a Red camera?' So I spent about a hundred thousand dollars to buy one. My own bread. Boom!

It felt [at the Allied set] like, "At last, I'm in Hollywood," even though I was in West London. It was like, "This is how a film should be made." It was beautiful.

You can only shoot small movies and documentaries for so long if you want to have a family that you support; eventually, you need to get let into the big leagues.

I had done student films for the School Of Visual Arts and for NYU and all these schools in New York, so those were my first film experiences, but they were student films, so I guess they don't really count.

I only get home two or three weeks a year. I'm always on the road filming.

I dropped out of school at 17 and joined the Irish band The Frames, getting my first glimpse into the world of professional film making while shooting of a number of rock videos.