Perhaps, despite my objections, the success of films like: 'The Help,' 'Django,' 'The Butler,' or '12 Years a Slave,' will further persuade Hollywood to widen its view and edit its erroneous perception of what a commercial black film can look like.
It's because films like 'Selma' are so rarely made that we end up putting them under the microscope. One, maybe two, a year. As a white person, you don't have that. You have the gamut. No one says to Oliver Stone, 'Another film about Vietnam? White characters again?'
Gender bias is real. I was an early Barack Obama supporter, and I was even shocked at the way the media treated President Obama vs. how they treated Secretary Hillary Clinton. Questions that were asked about, what is wearing, how much does she weigh, about her hair were never ascribed to the president.
'Black film,' unless it's lucky enough or creative enough, or timely enough to build a life of its own, hangs subjacent to 'white film' on Hollywood's financial score board... aided and abetted by the supposition that so-called black film has no foreign market.
The Indian media has a very negative approach and very negative thoughts.
Blacks on prime-time TV are only portrayed as comedians - and often in no better a light than 'Amos & Andy.'
I'm not a fan of travel and food shows in general, because I think, a lot of the time, I feel like they're talking down to you.
Other Asian actors, especially American-born actors, sometimes shy away from immigrant roles.
