Positive Storytelling Quotes

I don't inflict horrors on readers.

It fills me with dismay sometimes when you look at the scripts that do come to you that are primarily focused on violence. There are so many other things to play around with.

Decades of research have shown that most happy families communicate effectively. But talking doesn't mean simply 'talking through problems,' as important as that is. Talking also means telling a positive story about yourselves.

You do not have to have money to attract money, but you cannot feel poor and attract money. The key is, you have to find ways of improving the way you feel from right where you stand before things can begin to change: By softening your attention to the things that are going wrong, and by beginning to tell stories that lean more in the direction of what you want instead of in the direction of what you have got, your vibration will shift; your point of attraction will shift - and you will get different results.

You're always in a blessed position if you have a great success story, especially to be in a position to be able to tell it so people can even understand.

The bottom line: if you want a happier family, create, refine and retell the story of your family's positive moments and your ability to bounce back from the difficult ones. That act alone may increase the odds that your family will thrive for many generations to come.

It's the way that I think about the world, and the way that I like to tell stories - I don't think you should get too heavy. There's enough out there, in the world, with violence. I think that comedy lightens the heaviness [of the world].

Everything I've done was above board, as an actor I wanted to do two things. I wanted to entertain as well as get a message across. I never did no pimp roles, no negative roles, or anything like that. I had fun, everything I've done I'm proud to take my mother to.

The difference between hope and despair is a different way of telling stories from the same facts.

Dad and I did not care at all for your story in The New Yorker … [I]t does seem, dear, that this gloomy kind of story is what all you young people think about these days. Why don't you write something to cheer people up?

The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.

I am so sick of being exhorted, as a writer, to improve the world by representing it in a more hopeful way.

Since I can barely write two books a year the best solution seems to be co-author projects. My goal isn't to get another writer to clone me... it's more to produce a book that shares my vision of positive, fun entertainment.

I have been married to my wife, Paula, for 25 years. We have wonderful kids. Things are - it's been a really rich life, so I started thinking, is there a way to get valence a little more into the stories, the idea that, yes, things can go wrong, but also they can go right.

Spreading the positivity is just as important as telling the difficult stories.

It's movies like 'Love, Simon' that are so pivotal because it's this sweet rom-com that you would watch about a straight couple, but it's two guys. It feels natural and real and just charming. I would love to see more movies like that.

I like doing movies that have good messages and have good moral backgrounds to them and things like that - and send out positive messages.

I'm an optimist and my heroines seem to be that way, too. It's too much work to be cynical and distrusting. That doesn't mean I create perfect stories and perfect people, however. What this means is that my stories are resolved in a manner that leaves the reader with a feeling of hope and happy expectation . . . and wanting to reach for another one of my books.

So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.

...these stories are a kind of beacon. By making stories full of empathy and amusement and the sheer pleasure of discovering the world, these writers reassert the fact that we live in a world where joy and empathy and pleasure are all around us, there for the noticing.

I don't want to be embarrassed when I go to see something on the screen. I don't want to listen to foul language, watch a lot of violence or see something immoral. I prefer stories with sensitivity and family values; films that strive to lift you up to a higher place in life.

Every day, when my feet hit the ground, I have a story that I'm telling myself that I choose to make a positive story. I know people who don't do that, and there's a heavy energy around them. So I guess there's that kind of hustling.

Your life should be a story you are excited to tell.

I try to make movies that I would want to go see rather than ones I would just want to do as an actor. I want people to have movies full of romance and hope and empowerment, something they can escape into and feel good about. I love happy endings.

There is quite enough sorrow and shame and suffering and baseness in real life, and there is no need for meeting it unnecessarily in fiction.