Take an exhibit, in the days when we saw the Pop art - Andy Warhol and all that - tomato soup cans, etc., and coming home, you saw everything like A. Warhol.
'Interview' created indelible images of Pop Art that arrived on people's doorsteps every month.
After Andy Warhol died, it left a dark cloud over N.Y.C. nightlife.
Once you 'got' Pop, you could never see a sign again the same way again. And once you thought Pop, you could never see America the same way again.
A lot of people found themselves working at the Factory and some even in his bed as a result of random occurrences like your call. Most famous artists have never been all that interested in meeting strangers. That was not the case with Andy Warhol at all.
Edie Sedgwick had a cool style; she pushed the envelope for the time.
Damien Hirst is the Elvis of the English art world, its ayatollah, deliverer, and big-thinking entrepreneurial potty-mouthed prophet and front man. Hirst synthesizes punk, Pop Art, Jeff Koons, Marcel Duchamp, Francis Bacon, and Catholicism.
The Pop art I wound up doing came to me purely from 'Mad' comics. I loved the idea of doing fun stuff. I met an art dealer who wanted to show the work - that was in January 1962 - and that was the beginning for me.
One of my best friends, Stephen Sprouse, Bill Dugan, and I worked designing clothes, doing every conceivable thing. New York was a really intoxicating period for me, literally and figuratively. There was a lot of overlap with Andy Warhol, Studio 54, and Halston.
