Poetic Styles Quotes

Musings The little poets sing of little things: Hope, cheer, and faith, small queens and puppet kings; Lovers who kissed and then were made as one, And modest flowers waving in the sun. The mighty poets write in blood and tears And agony that, flame-like, bites and sears. They reach their mad blind hands into the night, To plumb abysses dead to human sight; To drag from gulfs where lunacy lies curled, Mad, monstrous nightmare shapes to blast the world. [click on the thumbnail by Jack "King" Kirby]

I definitely wish to distinguish American poetry from British or other English language poetry.

We can understand poetry from a billion - in a billion styles, experiment, tradition, combination, spice, meter, image. It's all there for the poet and for the listener and for all of us.

You run into people who want to write poetry who don't want to read anything in the tradition. That's like wanting to be a builder but not finding out what different kinds of wood you use.

It is true that short forms of poetry have been cultivated in the Far East more than in modern Europe; but in all European literature short forms of poetry are to be found - indeed quite as short as anything in Japanese.

A lyric, it is true, is the expression of personal emotion, but then so is all poetry, and to suppose that there are several kinds of poetry, differing from each other in essence, is to be deceived by wholly artificial divisions which have no real being.

I love Sylvia Plath and Anne Sexton. I also love more cerebral poets like H.D. and Emily Dickinson. My parents subscribed to a monthly poetry periodical, and as a teenager I was introduced to Denise Levertov, who was an influence.

For the past thirty years or so, much American poetry has been marked by an earnestness that rejects the comic. This has nothing to do with seriousness. The comic can be very serious. The trouble with the earnest is that it seeks to be commended. It seeks to be praised for its intention more than for what it is saying.

I have always loved American poetry, which is very different from Irish poetry.

It is hard to compare cultures without overgeneralizing, but I think a lot of American poetry has an assertiveness - an upbeat quality - that's less typical of Canadian poetry. Of course there are poets in both countries to whom that generalization does not apply. Speaking broadly, I'd describe Canadians as being a bit more reserved than Americans. Not less opinionated - just less direct.

We tend to put poems into factions. And it restricts our reading.

Religious poetry, civic poetry, lyric or dramatic poetry are all categories of man's expression which are valid only if the endorsement of formal content is valid.

It's hard to write haiku. I write long, silly Indian poems.

I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.

Three poets, in three distant ages born, Greece, Italy, and England did adorn. The first in loftiness of thought surpass'd; The next, in majesty; in both the last. The force of Nature could no further go; To make a third, she join'd the former two.