All the poet can do today is warn. That is why true Poets must be truthful.
I suppose every poet has his own private mythology. Maybe he's unaware of it. People tell me that I have evolved a private mythology of tigers, of blades, of labyrinths, and I"m unaware of the fact this is so. My readers are finding it all the time. But I think perhaps that is the duty of poet.
You can't argue with someone who believes, or just passionately suspects, that the poet's function is not to write what he must write but, rather, to write what he would write if his life depended on his taking responsibility for writing what he must in a style designed to shut out as few of his old librarians as humanly possible.
All a poet can do today is warn.
[The poet] must write as the interpreter of nature and the legislator of mankind, and consider himself as presiding over the thoughts and manners of future generations, as a being superior to time and place.
A poet who is a bad man is a degraded being, baser and more culpable than a bad man who is not a poet.
The times are squalid. They always were. It is a poet's duty to hold the line.
If a poet has any obligation toward society, it is to write well. Being in the minority, he has no other choice. Failing this duty, he sinks into oblivion. Society, on the other hand, has no obligation toward the poet.
It is a tremendous honor to be named poet laureate, but one that I find humbling as well, because it's the kind of thing that makes me feel like - even as it's been bestowed upon me - I must continue to live up to what it means... Being the younger laureate in the age of social media is a new challenge.
It is strange, how quickly people want to obligate their poets, as it were, on the exile.
As long as there is satire, the poet is, as it were, particeps criminis.
It is enough for a poet to be the guilty conscience of his age.
Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.
All that a critic, as critic, can give poets is the deadly encouragement that never ceases to remind them of how heavy their inheritance is.
