Poetic Observation Quotes

In You Are Not Dead Wendy Xu breaks all the old rules that have never done us any favors anyway. She writes beautifully, noticing who we are, and letting us see ourselves with a little more humanity, a little more humor, a little more humility. I'm happy to have read this book.

The other day, when my 4-year-old saw a flowering tree and said, "Daddy, it's raining petals," that was poetry that just melted my heart into a mushy, yummy Fudgsicle.

I like to put my iPad on the window and leave it there for however long the journey is, so that I'm staring out, and it's staring out. We're kind of staring out together. It's very poetic to me, watching that absent-minded passing of time. You realize how much you've taken in. What is left of that memory of you staring out of the window for an hour? It's all on the iPad.

The greatest poets are those with memories so great that they extend beyond their strongest experiences to their minutest observations of people and things far outside their own self-centeredness.

While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane.

I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day. To the left and right there are an amazing set of distractions that we usually can't afford to follow. But the poet is willing to stop anywhere.

Poetry calls us to pause. There is so much we overlook, while the abundance around us continues to shimmer, on its own.

The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.

But to do its noticing and judging, poetry balances itself on the pinprick of the moment. Slowing down, stopping yourself completely, to read and understand a poem is like trying to acquire an old-fashioned skill.

I have always loved the gaps, the spaces between things, as much as the things. I love staring, pondering, mulling, puttering. I love the times when someone or something is late-there's that rich possibility of noticing more, in the meantimePoetry calls us to pause. There is so much we overlook, while the abundance around us continues to shimmer, on its own.

The poet is a man who lives at last by watching his moods. An old poet comes at last to watch his moods as narrowly as a cat does a mouse.

I love the 19th-century idea of the flaneur, the poet wandering through the streets.

Two attributes of a poet, avidity of the eye and the desire to describe that which he sees.

I think we've come to a kind of splinter period in poetry. These tiny little bright fragments of observation - and not produced under sufficient pressure - some of it's very skillful, but I don't think there's anywhere a discernible major poet in the process of emerging; or if he is, I ain't seen him.

I don't need to praise anything so justly famous as Frost's observation of and empathy with everything in Nature from a hornet to a hillside; and he has observed his own nature, one person's random or consequential chains of thoughts and feelings and perceptions, quite as well. (And this person, in the poems, is not the "alienated artist" cut off from everybody who isn't, yum-yum, another alienated artist; he is someone like normal people only more so - a normal person in the less common and more important sense of normal.)